The Portraits

“I enjoyed making portraits, but not in the way artists made them in the nineteenth century. My portraits can be looked at from many different perspectives. I don’t like the idea of “art for art’s sake.” Good art makes a statement that can be taken different ways. 

Some of my portraits reference ancient Egyptian work. I am fascinated by the relationship between Egyptian art and high-tech forms. In fact, the more I look at Egyptian art, the more I believe it to be high-tech. I am also fond of the neoclassical portrait busts of the eighteenth-century sculptor Jean-Antoine Houdon, who made portraits of George Washington, Thomas Jefferson, Benjamin Franklin, Napoleon, Voltaire, and other notable figures who were his contemporaries.

Self-portrait, 1981, fibreglass, aluminum, oak, prime, coloured pencil

If you notice, my portraits don’t have eyes. This is a deliberate feature of them. I don’t want to rob the body of its soul. 

The enjoyable part of making portraits was meeting people and talking with them through the process. I would usually start by asking them how they would like to be portrayed, what’s their fantasy. A lot of women wanted to be fish. Some wanted to be queens. Guys often wanted to be aircraft pilots or racers. It was amazing getting to turn these people into their fantasies.”

Don Bonham